<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-5442537291325423423</id><updated>2011-11-14T04:23:44.394-08:00</updated><title type='text'>Libros del Zorro Rojo | English</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://librosdelzorrorojo-eng.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5442537291325423423/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://librosdelzorrorojo-eng.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>ZR</name><uri>http://www.blogger.com/profile/03667922786702511573</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='22' src='http://bp0.blogger.com/_h5KabCvOxHI/Rulcf3hyYyI/AAAAAAAAARQ/a7MfSoVmPDI/s400/ZR.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>5</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-5442537291325423423.post-8899037603368976485</id><published>2007-09-26T23:50:00.001-07:00</published><updated>2011-11-14T04:23:44.427-08:00</updated><title type='text'></title><content type='html'>&lt;div style="margin-top: 40px; margin-bottom: 40px; line-height: 1.3em; letter-spacing: 0.01em; font-size: 115%; "&gt;&lt;span class="Apple-style-span" style="color: rgb(107, 129, 122); "&gt;Spain's National Award for Best Publishing Program 2011.&lt;br /&gt;&lt;br /&gt;Since its founding in Barcelona in 2004, &lt;/span&gt;&lt;span class="Apple-style-span" &gt;Libros del Zorro Rojo&lt;/span&gt;&lt;span class="Apple-style-span" style="color: rgb(107, 129, 122); "&gt; has established itself as a publisher of reference of illustrated works.&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: rgb(107, 129, 122); "&gt;A large part of its catalogue are of its own creation, and most of these are published in co-edition with renowned publishing houses in Europe and South-America. Their catalogue is built around the marked intention to value an aesthetic and literary experience, as well as an opportunity to develop a cultural and social sensibility among readers.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span"&gt;The children’s catalogue includes works by established authors and illustrators such as Julio Cortázar and Emilio Urberuaga, Eduardo Galeano and Antonio Santos, Pablo Neruda and Elena Odriozola, Jose Saramago and Manuel Estrada, Federico García Lorca and Javier Zabala, Jacques Prévert and Elsa Henriquez, Gianni Rodari and Alessandro Sanna, as well as a selection of works by renowned international authors, such as Xan López Domínguez, Éric Battut, Einar Turkowski, Nikolaus Heidelbach, Hannes Binder,  Suzy Lee, Wanda Gág, &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: rgb(107, 129, 122); "&gt;Pia Valentinis or Bernardo.&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-top: 40px; margin-bottom: 40px; line-height: 1.3em; letter-spacing: 0.01em; font-size: 115%; "&gt;&lt;span class="Apple-style-span" style="color: rgb(107, 129, 122); "&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: rgb(107, 129, 122); "&gt;Their catalogue for adolescents and adults features classic authors of universal literature such as Edgar Allan Poe, Robert Louis Stevenson, Franz Kafka, Herman Melville or Jack London, along with George Orwell, Charles Baudelaire or Charles Bukowski, whose works are interpreted by artists of the caliber of Harry Clarke, Aubrey Beardsley, Marc Chagall, Pat Andrea, Robert Crumb, Lorenzo Mattotti, Ralph Steadman, Carlos Nine, Luis Sacafati, Pablo Páez, Enrique Breccia,  Alfredo B. Bedoya and José Muñoz. In their line of contemporary classics of Hispanoamerican literature, writes such as Juan Gelman, Mario Benedetti, Nicolás Guillén, Alejandra Pizarnik, Eduardo Galeano or Ricardo Piglia,  headline, from different genres, a cast of works illustrated by Carlos Alonso, Antonio Seguí, Arnal Ballester, Santiago Caruso or Isidro Ferrer, among others.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: rgb(107, 129, 122); "&gt;With over 120 published titles, Libros del Zorro Rojo is an independent publishing house of illustrated works that continues to look to new horizons.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5442537291325423423-8899037603368976485?l=librosdelzorrorojo-eng.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://librosdelzorrorojo-eng.blogspot.com/feeds/8899037603368976485/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5442537291325423423&amp;postID=8899037603368976485' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5442537291325423423/posts/default/8899037603368976485'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5442537291325423423/posts/default/8899037603368976485'/><link rel='alternate' type='text/html' href='http://librosdelzorrorojo-eng.blogspot.com/2007/09/home.html' title=''/><author><name>ZR</name><uri>http://www.blogger.com/profile/03667922786702511573</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='22' src='http://bp0.blogger.com/_h5KabCvOxHI/Rulcf3hyYyI/AAAAAAAAARQ/a7MfSoVmPDI/s400/ZR.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5442537291325423423.post-8649191007380011478</id><published>2007-09-26T23:47:00.001-07:00</published><updated>2009-07-03T01:44:41.009-07:00</updated><title type='text'>Contact</title><content type='html'>&lt;div style="margin-top: 50px;"&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;Editorial Director&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:85%;" &gt;Fernando Diego García&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;zr.fernando.dg@gmail.com&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;&lt;span&gt;Art Director&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:85%;" &gt;Sebastián García Schnetzer&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;zr.sebastian.gs@gmail.com&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;&lt;span&gt;Editor&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:85%;" &gt;Alejandro García Schnetzer&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;zr.alejandro.gs@gmail.com&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;&lt;span&gt;Press/Foreign Rights&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;editorial@librosdelzorrorojo.com&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span style="color: rgb(0, 0, 0);font-size:85%;" &gt;&lt;span&gt;Export&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:85%;" &gt;Jesús Miranda Rayo&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;export@librosdelzorrorojo.co&lt;/span&gt;&lt;span style="font-size:85%;"&gt;m&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Publishing/Press/Foreign rights&lt;/span&gt;&lt;br /&gt;Sant Joan de Malta 39, 2º 2ª&lt;br /&gt;08018 &lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:85%;" &gt;&lt;span style="color: rgb(102, 102, 102);"&gt;Barcelona&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;Tel/fax +34&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:85%;" &gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; 933 076 850&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Export&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:100%;" &gt;&lt;span style="font-size:85%;"&gt;Andorra, 69&lt;br /&gt;28043 Madrid&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;br /&gt;Tel. +34&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="color: rgb(0, 0, 0);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:85%;" &gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;913 004 390&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;Fax +34 913 886 518&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;www.panopliadelibros.com&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:85%;" &gt;Libros del Zorro Rojo&lt;/span&gt;&lt;span style="font-size:85%;"&gt; an imprint of:&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span style="color: rgb(51, 51, 51);font-size:85%;" &gt;Albur producciones editoriales&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 51);font-size:85%;" &gt;La Panoplia Export&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5442537291325423423-8649191007380011478?l=librosdelzorrorojo-eng.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://librosdelzorrorojo-eng.blogspot.com/feeds/8649191007380011478/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5442537291325423423&amp;postID=8649191007380011478' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5442537291325423423/posts/default/8649191007380011478'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5442537291325423423/posts/default/8649191007380011478'/><link rel='alternate' type='text/html' href='http://librosdelzorrorojo-eng.blogspot.com/2007/09/contact.html' title='Contact'/><author><name>ZR</name><uri>http://www.blogger.com/profile/03667922786702511573</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='22' src='http://bp0.blogger.com/_h5KabCvOxHI/Rulcf3hyYyI/AAAAAAAAARQ/a7MfSoVmPDI/s400/ZR.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5442537291325423423.post-1446194271237164712</id><published>2007-09-26T20:43:00.000-07:00</published><updated>2007-09-27T04:47:07.551-07:00</updated><title type='text'>Shop</title><content type='html'>&lt;div style="margin-top: 50px;"&gt;Coming soon.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5442537291325423423-1446194271237164712?l=librosdelzorrorojo-eng.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5442537291325423423/posts/default/1446194271237164712'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5442537291325423423/posts/default/1446194271237164712'/><link rel='alternate' type='text/html' href='http://librosdelzorrorojo-eng.blogspot.com/2007/09/shop.html' title='Shop'/><author><name>ZR</name><uri>http://www.blogger.com/profile/03667922786702511573</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='22' src='http://bp0.blogger.com/_h5KabCvOxHI/Rulcf3hyYyI/AAAAAAAAARQ/a7MfSoVmPDI/s400/ZR.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-5442537291325423423.post-1377745341141357371</id><published>2007-09-04T15:56:00.000-07:00</published><updated>2007-12-30T02:23:09.516-08:00</updated><title type='text'>Foreign Rights | Young &amp; Adults</title><content type='html'>&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Dracula&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Luis Scafati&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_h5KabCvOxHI/RwV0z8BKDiI/AAAAAAAAA4c/3gQPedCgw2g/s1600-h/Blog+T-Dracula.gif"&gt;&lt;img style="cursor: pointer;" src="http://1.bp.blogspot.com/_h5KabCvOxHI/RwV0z8BKDiI/AAAAAAAAA4c/3gQPedCgw2g/s320/Blog+T-Dracula.gif" alt="" id="BLOGGER_PHOTO_ID_5117624987209567778" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;A journey through inhospitable places and closed rooms, where life and death savagely devour each other. With his excellent illustration work consisting of more than 50 drawings, Luis Scafati pays tribute to this mythical character and to the vast imagination that has inspired vampire literature for centuries.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style="font-size:100%;"&gt;265 x 210 mm; 108 pp. Hardback&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_h5KabCvOxHI/RvASdHhyZlI/AAAAAAAAAZw/499wed05ssU/s1600-h/SCAFATTI10.gif"&gt;&lt;img style="cursor: pointer; width: 320px; height: 264px;" src="http://1.bp.blogspot.com/_h5KabCvOxHI/RvASdHhyZlI/AAAAAAAAAZw/499wed05ssU/s400/SCAFATTI10.gif" alt="" id="BLOGGER_PHOTO_ID_5111605868511782482" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;br /&gt;Luis Scafati:&lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Mendoza&lt;/span&gt;, Argentina, 1947. He has seen his illustrations published in the Argentinean, Uruguayan, Italian and French press. An exhibition of his work was shown in Frankfurt, Germany, in 1995, and in 2005 he exhibited his illustrations on Kafka in Barcelona. His works are on display at the main museums of Buenos Aires, in the House of Humour and Satire (Bulgaria), the Collection of Cartoons (Switzerland) and the University of Essex (England). He won the Grand Prix of Honor at the National Comics Salon (Buenos Aires, 1981).&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Metamorphosis&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Franz Kafka&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_h5KabCvOxHI/R0gXWtgomwI/AAAAAAAABKU/SVuzXmlevaM/s1600-h/Blog+T-Metamorfosis.gif"&gt;&lt;img style="cursor: pointer;" src="http://1.bp.blogspot.com/_h5KabCvOxHI/R0gXWtgomwI/AAAAAAAABKU/SVuzXmlevaM/s320/Blog+T-Metamorfosis.gif" alt="" id="BLOGGER_PHOTO_ID_5136381053957085954" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Illustrated by &lt;span style="font-size:130%;"&gt;Luis Scafati&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;«When Gregor Samsa awoke one morning from uneasy dreams, he found himself transformed in his bed into a gigantic insect. He was lying on his hard, as it were armour-plated back and when he lifted his head a little he could see his dome-like brown belly.».&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;A key work in his narrative production, Metamorphosis is a vast and vivid nightmare that concentrates all of the intensity of Franz Kafka. The illustrations by the great Argentine artist Luis Scafati wonderfully recreate the story’s strange atmospheres and character&lt;/span&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;s.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style="font-size:100%;"&gt;245 x 205 mm; 72 pp. Hardback/Softcover/Pocket edition also avaiable&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;/span&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;The black cat&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Edgar Allan Poe&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_h5KabCvOxHI/R0gXvNgomxI/AAAAAAAABKc/qpN86p6FLUQ/s1600-h/Blog+T-Gato.gif"&gt;&lt;img style="cursor: pointer;" src="http://3.bp.blogspot.com/_h5KabCvOxHI/R0gXvNgomxI/AAAAAAAABKc/qpN86p6FLUQ/s320/Blog+T-Gato.gif" alt="" id="BLOGGER_PHOTO_ID_5136381474863880978" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Illustrated by &lt;span style="font-size:130%;"&gt;Luis Scafati&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;«I neither expect nor ask that you believe in this savage yet homely story I am going to write. It would be madness to expect this as even my own senses reject the evidence. Nevertheless, I am not mad and I can assure you I’m not dreaming.».&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;So begins The Black Cat, the story that gives this volume its title. In the short stories in this collection, the everyday reveals to the reader a second, darker nature. Hallucination or reality? An ambiguous threshold to the fantastical universe of Edgar Allen Poe.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style="font-size:100%;"&gt;245 x 205 mm; 72 pp. Hardback/Softcover/Pocket edition also avaiable&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;/span&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Dr. Jeckyll and Mr. Hyde&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Robert Louis Stevenson&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_h5KabCvOxHI/R0gZzdgomzI/AAAAAAAABKs/OU7PPdwQLdw/s1600-h/Blog+T-Jeckyll.gif"&gt;&lt;img style="cursor: pointer;" src="http://4.bp.blogspot.com/_h5KabCvOxHI/R0gZzdgomzI/AAAAAAAABKs/OU7PPdwQLdw/s320/Blog+T-Jeckyll.gif" alt="" id="BLOGGER_PHOTO_ID_5136383746901580594" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Illustrated by &lt;span style="font-size:130%;"&gt;Mauro Cascioli&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;«After all, I thought, I was like my fellow men, and I laughed as I compared myself with other men, and I compared my force of will with the lazy cruelty of their negligence.»&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;A worrying encounter alters a peaceful Sunday stroll along the streets of London. From that moment on, the everyday is mixed with the inexplicable, the secret, the supernatural. Two very different personalities fight over the soul of a man: Dr. Jekyll and Mr. Hyde. The illustrations by Mauro Cascioli clearly recreate this masterly story by R. L. Stevenson.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt; &lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style="font-size:100%;"&gt;245 x 205 mm; 60 pp. Hardback/Softcover/Pocket edition avaiable&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt; &lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;Mauro Cascioli:&lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Mendoza&lt;/span&gt;, Argentina, 1947.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;The Sandman&lt;br /&gt;&lt;/span&gt;E. T. A. Hoffmann&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_h5KabCvOxHI/R0gYpdgomyI/AAAAAAAABKk/36Ryv6oNCuM/s1600-h/Blog+T-Hoffmann.gif"&gt;&lt;img style="cursor: pointer;" src="http://4.bp.blogspot.com/_h5KabCvOxHI/R0gYpdgomyI/AAAAAAAABKk/36Ryv6oNCuM/s320/Blog+T-Hoffmann.gif" alt="" id="BLOGGER_PHOTO_ID_5136382475591260962" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;I&lt;/span&gt;&lt;span style="font-size:100%;"&gt;llustrated by &lt;span style="font-size:130%;"&gt;Pablo Páez&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;«…no-one but he could be the sandman. But now he didn’t see it as a grandmother’s frightening tale in search of children’s eyes to feed to the nesting owls. No! Now he was a horrible, spectral  monster who, wherever he went, brought sadness, disgrace and eternal destruction.»&lt;br /&gt;&lt;br /&gt;The Sandman, the well-known character that visits the houses of children who don’t want to go to sleep, achieves mythological status in E. T. A. Hoffmann’s story of the same name: the terror sown in infancy, the fear that grows each night and that unleashes madness..»&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt; &lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style="font-size:100%;"&gt;245 x 205 mm; 60 pp. Hardback/Softcover/Pocket edition avaiable&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt; &lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;Pablo Páez:&lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Buenos Aires&lt;/span&gt;, Argentina, 1964. His work as an illustrator won a Special Mention for a Young Artist at the ICI Awards organised by Fin de Siglo (Buenos Aires, 1991) and the Prize for Drawing at the Manuel Belgrano Plastic Arts Salon (Buenos Aires, 2004). In 1992 he was the guest artist at the Festival de la Bande Dessinée in Angoulême. His work as a comic strip artist won him the prestigious 1992 Georges Braque Prize, awarded by the French Ministry of Foreign Affairs.&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Pocket editions&lt;br /&gt;&lt;/span&gt;Kafka, Poe, Hoffmann, Stevenson&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_h5KabCvOxHI/R0hcZ9gom3I/AAAAAAAABLM/0Ri6F_wNIRw/s1600-h/Blog+T-Pocket.gif"&gt;&lt;img style="cursor: pointer;" src="http://2.bp.blogspot.com/_h5KabCvOxHI/R0hcZ9gom3I/AAAAAAAABLM/0Ri6F_wNIRw/s400/Blog+T-Pocket.gif" alt="" id="BLOGGER_PHOTO_ID_5136456976093977458" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;From 2008 this collection will be also published in smaller format editions, which will be sold at a cheaper price in order to make these masterpieces of universal literature available to students.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;  &lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style="font-size:100%;"&gt;130 x 230 mm; 120 pp. Softcover&lt;/span&gt;.&lt;br /&gt;&lt;/div&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;  &lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Beasts of complicity&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Horacio Quiroga&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_h5KabCvOxHI/R2bjT33jvGI/AAAAAAAABP4/eqjDrs7X22Y/s1600-h/Blog+T-Fieras.gif"&gt;&lt;img style="cursor: pointer; width: 252px; height: 357px;" src="http://3.bp.blogspot.com/_h5KabCvOxHI/R2bjT33jvGI/AAAAAAAABP4/eqjDrs7X22Y/s320/Blog+T-Fieras.gif" alt="" id="BLOGGER_PHOTO_ID_5145049554871368802" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Illustrated by &lt;span style="font-size:130%;"&gt;José Muñoz&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;In a logging camp in Mato Grosso, Yuca Alves abuses and exploits his workers. Two men, united in their suffering, will seek revenge in the closed night of the jungle, with the help of a tamed but implacable beast&lt;/span&gt;&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Las fieras complices&lt;/span&gt; is one of the outstanding tales of Horacio Quiroga, and to read it is to discover a world filled with strong emotions&lt;span style="line-height: 1.4em;font-size:100%;" &gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style="font-size:100%;"&gt;170 x 240 mm; 60 pp. Paperback with jacket     &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_h5KabCvOxHI/RvYIKMBKB-I/AAAAAAAAAqU/E_0Y5ZfhlRI/s1600-h/Blog%2BFieras.png"&gt;&lt;img style="cursor: pointer; width: 292px; height: 292px;" src="http://3.bp.blogspot.com/_h5KabCvOxHI/RvYIKMBKB-I/AAAAAAAAAqU/E_0Y5ZfhlRI/s400/Blog%2BFieras.png" alt="" id="BLOGGER_PHOTO_ID_5113283398043568098" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;br /&gt;José Muñoz:&lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Buenos Aires, &lt;/span&gt;&lt;span&gt;Argentina, 1942. He was a protégé of Alberto Breccia and Hugo Pratt. He worked with Francisco Solano López on the famous series El Eternauta. With Carlos Sampayo, he would go on to create Alack Sinner, one of the most famous characters in the history of detective comics. In 1983, Muñoz was awarded the Yellow Kid Prize at the Lucca Festival in Italy; in 2002 he received the Max und Moritz Medal at the Erlangen Comic Fair in Germany and in 2007 he won the Grand Prix at the Angoulême International Comics Festi&lt;/span&gt;&lt;span&gt;val&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;The wild man&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Horacio Quiroga&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_h5KabCvOxHI/RvAkgXhyZyI/AAAAAAAAAbY/sw0uiqeY_uQ/s1600-h/Blog+T-Salvaje.gif"&gt;&lt;img style="cursor: pointer; width: 251px; height: 346px;" src="http://2.bp.blogspot.com/_h5KabCvOxHI/RvAkgXhyZyI/AAAAAAAAAbY/sw0uiqeY_uQ/s400/Blog+T-Salvaje.gif" alt="" id="BLOGGER_PHOTO_ID_5111625715555657506" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Illustrated by &lt;span style="font-size:130%;"&gt;Alfredo Benavídez Bedoya&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;Reality and dreams are intertwined in an extraordinary tale about the prehistory of humanity. In the first part, a beast from the Tertiary era emerges from the waters and from time itself in search of its prey. In the second part, two men insist on an incessant fight for survival, which will see their destinies cross paths&lt;/span&gt;&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Because of its narrative power, &lt;/span&gt;&lt;span style="font-style: italic;"&gt;El salvaje &lt;/span&gt;&lt;span&gt;occupies an important place in the literary repertoire of Horacio Quiroga&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style="font-size:100%;"&gt;170 x 240 mm; 40 pp. Paperback with jacket&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_h5KabCvOxHI/Rx9uhMBKEeI/AAAAAAAABAg/Yp0a_RY-ufw/s1600-h/Blog+Salvaje.gif"&gt;&lt;img style="cursor: pointer; width: 334px; height: 334px;" src="http://4.bp.blogspot.com/_h5KabCvOxHI/Rx9uhMBKEeI/AAAAAAAABAg/Yp0a_RY-ufw/s400/Blog+Salvaje.gif" alt="" id="BLOGGER_PHOTO_ID_5124936417411731938" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;br /&gt;Alfredo Benavídez Bedoya:&lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Buenos Aires, &lt;/span&gt;&lt;span&gt;Argentina, 1951. He has participated in more than fifty international exhibitions and the prizes he has won include the Grand Prix at the International Print Biennial (Taipei, 1989); the Sponsor Prize at the International Print Biennial (Sapporo, 1991 and 1995); the Sponsor Prize at the International Print Triennial (Osaka, 1997) and the Grand Prix of Honor of the National Drawing and Print Salon (Buenos Aires, 1997). His works have been acquired by the Capitol Library (Washington) and the Royal Museum of Belgium (Brussels).&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Meeting&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Julio Cortázar&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_h5KabCvOxHI/Ru_vk3hyZfI/AAAAAAAAAZA/gVD3UUrhkuw/s1600-h/Blog+T-Reunion.gif"&gt;&lt;img style="cursor: pointer; width: 251px; height: 360px;" src="http://3.bp.blogspot.com/_h5KabCvOxHI/Ru_vk3hyZfI/AAAAAAAAAZA/gVD3UUrhkuw/s400/Blog+T-Reunion.gif" alt="" id="BLOGGER_PHOTO_ID_5111567518748796402" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Illustrated by &lt;span style="font-size:130%;"&gt;Enrique Breccia&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;Meeting describes the difficult days that followed the landing of the Granma on the coast of Cuba, when Ernesto Guevara made his mark as a combatant in the revolution. Written vividly in the first person, the voice of «Che» recalls their exhausting days spent among the mangrove&lt;br /&gt;swamps, the setbacks that he had to face alongside his comrades in arms and his baptism of fire at the battle of Alegría del Pío.&lt;br /&gt;&lt;br /&gt;The intensity of Meeting and its epic quality based on profound emotions are an example of the incomparable talent of Julio Cortázar, and his ability to depict the profound humanity of one of the 20th century’s most admired figures. The illustrations of Enrique Breccia recreate the key moments of this account.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style="font-size:100%;"&gt;180 x 265 mm; 40 pp. Paperback with jacket     &lt;/span&gt;&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_h5KabCvOxHI/RvYC-cBKB8I/AAAAAAAAAqE/b-aKyNxrRjo/s1600-h/Blog%2BReunion.gif.png"&gt;&lt;img style="cursor: pointer; width: 349px; height: 248px;" src="http://4.bp.blogspot.com/_h5KabCvOxHI/RvYC-cBKB8I/AAAAAAAAAqE/b-aKyNxrRjo/s400/Blog%2BReunion.gif.png" alt="" id="BLOGGER_PHOTO_ID_5113277698621966274" border="0" /&gt;&lt;/a&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_h5KabCvOxHI/RwYk0sBKDwI/AAAAAAAAA6Y/VKH2ANS2Ixs/s1600-h/reunionp32.jpg"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/div&gt; &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;Enrique Breccia:&lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Buenos Aires, &lt;/span&gt;&lt;span&gt;Argentina, 1945. He is the author of such emblematic works in the comic genre as The Life of Che (1969); Alvar Mayor (1976); The travels of Marco Mono (1981) and Lope de Aguirre (1989). He has published Lovecraft (2002) for the DC Comic publishing house, who also published his famous collaborations for the series Batman: Gotham Knights (2001) and Swamp Thing (2004). In 1963 he won the Gold Medal at the Salon of the Argentinean Cartoonists Association and the 1983 Pléyade Prize for the best graphic production of the year&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;The Dunwich Horror&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;H. P. Lovecraft&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_h5KabCvOxHI/R1got2SgebI/AAAAAAAABMc/g2fwaB7SSIk/s1600-h/Blog+T-Dunwich.gif"&gt;&lt;img style="cursor: pointer; width: 252px; height: 361px;" src="http://2.bp.blogspot.com/_h5KabCvOxHI/R1got2SgebI/AAAAAAAABMc/g2fwaB7SSIk/s400/Blog+T-Dunwich.gif" alt="" id="BLOGGER_PHOTO_ID_5140903742775785906" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Illustrated by &lt;span style="font-size:130%;"&gt;Santiago Caruso&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;«No one, even those who have the facts concerning the recent horror, can say just what is the matter with Dunwich; though old legends speak of unhallowed rites and conclaves of the Indians, amidst which they called forbidden shapes of shadow out of the great rounded hills,  and made wild orgiastic prayers that were answered by loud crackings and rumblings from the ground below.»&lt;br /&gt;&lt;br /&gt;The tragic story of Wilbur Watheley and the abominable events that occurred in Dunwich, plunge the reader into a world inhabited by monstrous nightmares.&lt;br /&gt;&lt;br /&gt;Santiago Caruso’s extraordinary illustrations heighten the intensity of one of the most fascinating stories of H. P. Lovecraft.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style="font-size:100%;"&gt;180 x 265 mm; 96 pp. Hardback     &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_h5KabCvOxHI/R1gJtWSgeYI/AAAAAAAABME/DBuoz-DRmzM/s1600-h/Blog+Dunwich.gif"&gt;&lt;img style="cursor: pointer; width: 367px; height: 262px;" src="http://4.bp.blogspot.com/_h5KabCvOxHI/R1gJtWSgeYI/AAAAAAAABME/DBuoz-DRmzM/s400/Blog+Dunwich.gif" alt="" id="BLOGGER_PHOTO_ID_5140869649325390210" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;br /&gt;Santiago Caruso:&lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Buenos Aires, &lt;/span&gt;&lt;span&gt;Argentina, 1982. At the age of twenty-one he was awarded the First Prize for Drawing at the Salon of Plastic Arts at the Roverano Museum. He has collaborated with various press media in his home country as well as with foreign publishing. His work stands out both for its vigor as well as for its technique. It is no overstatement to say that the work of Carusso, which is well represented in the galleries and museums of Buenos Aires, is currently one of the most pleasant revelations of Latin American plastic arts&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Bestiary&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;H. P. Lovecraft&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="color: rgb(51, 51, 51);font-size:100%;" &gt;Coedition avaiable!&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_h5KabCvOxHI/R2hS_H3jvHI/AAAAAAAABQA/DFv9yazlm3o/s1600-h/Blog+T-Bestiario.gif"&gt;&lt;img style="cursor: pointer; width: 249px; height: 376px;" src="http://2.bp.blogspot.com/_h5KabCvOxHI/R2hS_H3jvHI/AAAAAAAABQA/DFv9yazlm3o/s400/Blog+T-Bestiario.gif" alt="" id="BLOGGER_PHOTO_ID_5145453818668104818" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;Illustrated by &lt;span style="font-size:130%;"&gt;Enrique Alcatena&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;Twenty-two creatures lead us to the disturbing world of the grand master of fantastic fiction. In an incredible descent into the abysses of terror, the illustrations of Enrique Alcatena shows us the most disturbing and extraordinary beasts from the universe of H. P. Lovecraft. The incarnation of panic&lt;/span&gt;&lt;/span&gt;&lt;span&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style="font-size:100%;"&gt;160 x 240 mm; 76 pp. Hardback&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;Enrique Alcatena:&lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Buenos Aires, &lt;/span&gt;&lt;span&gt;Argentina, 1957. Teacher of English and American literature, self-taught cartoonist, he started to work professionally on comic strips and illustrations in 1975. He has collaborated with the publishers DC, Marvel and Dark Horse (USA); DC Thomson and Fleetway (Great Britain); Bastei (Germany); Albin Michel (France) and Eura (Italy), to mention just a few. The graphic universe of Alcatena, has its roots in the Japanese illustrators of the Ukiyo-ethe, Persian miniatures and the great illustrators of the early 20th century&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Parisian Tales&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Mario Benedetti&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_h5KabCvOxHI/RvA5ynhyaBI/AAAAAAAAAdQ/hJK6I01mEj0/s1600-h/Blog+T-Paris.gif"&gt;&lt;img style="cursor: pointer; width: 252px; height: 378px;" src="http://3.bp.blogspot.com/_h5KabCvOxHI/RvA5ynhyaBI/AAAAAAAAAdQ/hJK6I01mEj0/s400/Blog+T-Paris.gif" alt="" id="BLOGGER_PHOTO_ID_5111649118832453650" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Illustrated by &lt;span style="font-size:130%;"&gt;Antonio Seguí&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;The stories in this book talk about exile, love, loneliness, indifference and friendship. They are deep stories, told in a simple way with Paris as their common background. However this is not the Paris that one finds in postcards but rather it is that Paris which marked the life of many generations during the 1960s and 1970s. The main characters are men and women whose way of feeling and thinking moves us and inevitably captivates us&lt;/span&gt;&lt;/span&gt;&lt;span&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style="font-size:100%;"&gt;160 x 240 mm; 156 pp. Hardback with jacket&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_h5KabCvOxHI/RvA8GnhyaFI/AAAAAAAAAdw/rk4WMcum5wQ/s1600-h/Blog+Paris.gif"&gt;&lt;img style="cursor: pointer; width: 346px; height: 279px;" src="http://3.bp.blogspot.com/_h5KabCvOxHI/RvA8GnhyaFI/AAAAAAAAAdw/rk4WMcum5wQ/s400/Blog+Paris.gif" alt="" id="BLOGGER_PHOTO_ID_5111651661453092946" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;Antonio Seguí:&lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Córdoba, &lt;/span&gt;&lt;span&gt;Argentina, 1934. His work was awarded the Grand Prix at the Tokyo Print Biennial (1966), the International Prize for painting at Darmstadt, Germany (1967); the Grand Prix at the Krakow Print Biennial (1968); the Grand Prix of the National Arts Fund, Buenos Aires (1990); the Gold Medal of the Triennial of Graphic Arts in Norway (1995). In 2005 the Georges Pompidou Centre in Paris organised a successful retrospective of his work.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;The Mandarin&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Eça de Queirós&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_h5KabCvOxHI/RvQWF8BKB1I/AAAAAAAAApM/IuzBFXXnspU/s1600-h/Blog+T-Mandarin.gif"&gt;&lt;img style="cursor: pointer; width: 252px; height: 344px;" src="http://4.bp.blogspot.com/_h5KabCvOxHI/RvQWF8BKB1I/AAAAAAAAApM/IuzBFXXnspU/s400/Blog+T-Mandarin.gif" alt="" id="BLOGGER_PHOTO_ID_5112735768238491474" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Illustrated by &lt;span style="font-size:130%;"&gt;Alberto Cedrón&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;One night, Theodore, a dark scribe from Lisbon, is visited by a demon in his bedroom. The demon offers him a sinister agreement: to kill the Mandarin in return for all his wealth. From that moment, his life will see him involved in a prodigious adventure, where fantasy combines&lt;br /&gt;with the most delightful emotions.&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style="font-size:100%;"&gt;170 x 240 mm; 80 pp. Hardback with jacket&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_h5KabCvOxHI/RvBAcnhyaHI/AAAAAAAAAeA/OXyKIH6CPUk/s1600-h/Blog+Mandarin.gif"&gt;&lt;img style="cursor: pointer; width: 343px; height: 305px;" src="http://3.bp.blogspot.com/_h5KabCvOxHI/RvBAcnhyaHI/AAAAAAAAAeA/OXyKIH6CPUk/s400/Blog+Mandarin.gif" alt="" id="BLOGGER_PHOTO_ID_5111656437456726130" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;br /&gt;Alberto Cedrón:&lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Buenos Aires, &lt;/span&gt;&lt;span&gt;Argentina, 1937-2007. He has exhibited his work in Barcelona, Berlin, Lisbon, New York, Paris, Porto, Rome and Sao Paulo. He has illustrated works by Carlos Drumond de Andrade and João Guimarães Rosa. In 1979 he published La raíz del ombú, in collaboration with Julio Cortázar. His work received important distinctions including the Gold Medal of the Association of Illustrators (Buenos Aires, 1962); the Domus Prize (Milan, 1975) and the Carrera Prize of the «Contemporary Art Movement» (Lisbon, 2001)&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;El Golem&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Gustav Meyrink&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_h5KabCvOxHI/R0BcvdgomgI/AAAAAAAABIQ/Ald3yxEIAEM/s1600-h/T-Golem.gif"&gt;&lt;img style="cursor: pointer; width: 251px; height: 347px;" src="http://4.bp.blogspot.com/_h5KabCvOxHI/R0BcvdgomgI/AAAAAAAABIQ/Ald3yxEIAEM/s400/T-Golem.gif" alt="" id="BLOGGER_PHOTO_ID_5134205545647479298" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Illustrated by &lt;span style="font-size:130%;"&gt;Marcia Schvartz&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;The Golem describes the bizarre life of Athanasius Pernath in the Jewish ghetto of Prague during the Austro-Hungarian Empire. After succumbing to the strange influence of a hat found in a cathedral, the main character tries to make his way through a landscape of sordid crimes and mysterious apparitions. At the same time he starts to discover the mystic nature of his own destiny. Mysterious characters and old medieval legends are interwoven against a dreamy and disquieting backdrop.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style="font-size:100%;"&gt;170 x 240 mm; 80 pp. Hardback with jacket&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_h5KabCvOxHI/R0BcN9gomfI/AAAAAAAABII/sIzpSx_aCSM/s1600-h/Blog+Golem1.gif"&gt;&lt;img style="cursor: pointer; width: 346px; height: 308px;" src="http://2.bp.blogspot.com/_h5KabCvOxHI/R0BcN9gomfI/AAAAAAAABII/sIzpSx_aCSM/s400/Blog+Golem1.gif" alt="" id="BLOGGER_PHOTO_ID_5134204970121861618" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;br /&gt;Marcia Schvartz:&lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Buenos Aires, &lt;/span&gt;&lt;span&gt;Argentina, 1955. Her work has been exhibited in Amsterdam, Barcelona, Cologne, Lisbon, Mexico City, Nantes, New York, Beijing and Paris. She has won important prizes such as the plastic arts prize at the Manuel Belgrano Council exhibition (1992); the Leonardo prize of the national art museum of Buenos Aires (1998); the Constantini painting prize (1998) or the silver KONEX (2002). Her works have been acquired by prestigious institutions and museums&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;The Lighthouse Library&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;A perfect collection for young people of all ages that brings together dazzling, little-known stories by the finest classical authors in world literature. The illustrations, by prestigious contemporary artists, add considerable vitality to these exciting narratives.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-size:85%;" &gt;185 x 275 mm; 36/40 pp. Hardback     &lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;br /&gt;&lt;span style=";font-family:georgia;font-size:130%;"  &gt;The Transformations&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style=";font-family:georgia;font-size:130%;"  &gt;Mary Shelley&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;/span&gt;&lt;div style="text-align: left;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_h5KabCvOxHI/RwoAlsBKEDI/AAAAAAAAA8w/9NeK-nci6zM/s1600-h/covershelley.jpg"&gt;&lt;img style="cursor: pointer;" src="http://1.bp.blogspot.com/_h5KabCvOxHI/RwoAlsBKEDI/AAAAAAAAA8w/9NeK-nci6zM/s320/covershelley.jpg" alt="" id="BLOGGER_PHOTO_ID_5118904573931163698" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;span style="font-size:100%;"&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Illustrated by &lt;span style="font-size:130%;"&gt;Gabriela Rubio&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;Exiled from France and ruined, having wasted away his fortune, young Guido returns to Genoa, where his pride and avarice lose him the love of his bride. The meeting with a shapeless being offers him the chance of exacting revenge. A diabolical pact is made between them which demands that they exchange bodies&lt;/span&gt;&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;br /&gt;&lt;span style=";font-family:georgia;font-size:130%;"  &gt;The Devil's Cross&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style=";font-family:georgia;font-size:130%;"  &gt;Gustavo Adolfo Bécquer&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt; &lt;div style="text-align: left;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_h5KabCvOxHI/Rwn_dcBKECI/AAAAAAAAA8o/DYYTZGbUMCM/s1600-h/coverBecquer.jpg"&gt;&lt;img style="cursor: pointer; width: 182px; height: 268px;" src="http://3.bp.blogspot.com/_h5KabCvOxHI/Rwn_dcBKECI/AAAAAAAAA8o/DYYTZGbUMCM/s320/coverBecquer.jpg" alt="" id="BLOGGER_PHOTO_ID_5118903332685615138" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt; &lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Illustrated by &lt;span style="font-size:130%;"&gt;Javier Serrano&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;On the banks of the Segre, in the foothills of the Catalan Pyrenees, there stands a sinister boundary cross, which hides a bloody legend. Besieged by packs of wolves and battered by storms, the monument dates back to the Middle Ages, when a fearsome knight and his armies of assassins ran riot across the county. It tells the story of the time when the inhabitants of the place decided to stand up to this barbarism, without knowing the true face of their enemy&lt;/span&gt;&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;br /&gt;&lt;span style=";font-family:georgia;font-size:130%;"  &gt;Micromegas&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style=";font-family:georgia;font-size:130%;"  &gt;Voltaire&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: left;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_h5KabCvOxHI/RwoBwcBKEEI/AAAAAAAAA84/sXAzR5_MsnI/s1600-h/portadavoltaire.jpg"&gt;&lt;img style="cursor: pointer;" src="http://4.bp.blogspot.com/_h5KabCvOxHI/RwoBwcBKEEI/AAAAAAAAA84/sXAzR5_MsnI/s320/portadavoltaire.jpg" alt="" id="BLOGGER_PHOTO_ID_5118905858126385218" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt; &lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Illustrated by &lt;span style="font-size:130%;"&gt;Carlos Nine&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;Micromegas, a giant who had been banished for eight hundred years, sets off on a strange trip around the universe accompanied by an inhabitant of Saturn. Helped by a comet, they reach our world where a casual encounter with a group of explorers will make them understand the ridiculousness and arrogance of humans&lt;/span&gt;&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;br /&gt;&lt;span style=";font-family:georgia;font-size:130%;"  &gt;Koolau the Leper&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style=";font-family:georgia;font-size:130%;"  &gt;Jack London&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div style="text-align: left;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_h5KabCvOxHI/RwoDDMBKEFI/AAAAAAAAA9A/uI8PwaXxup0/s1600-h/portada+koolau.jpg"&gt;&lt;img style="cursor: pointer;" src="http://3.bp.blogspot.com/_h5KabCvOxHI/RwoDDMBKEFI/AAAAAAAAA9A/uI8PwaXxup0/s320/portada+koolau.jpg" alt="" id="BLOGGER_PHOTO_ID_5118907279760560210" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt; &lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Illustrated by &lt;span style="font-size:130%;"&gt;Enrique Breccia&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;When the «white men» decide to banish them to the leper colony of Molokai, Koolau and his people decide to fight the group of soldiers that is sent to arrest them on a wild island in the Pacific. Despite having to face the most adverse conditions, Koolau’s tenacity and cunning help him persist in his relentless fight to defend his life and his dignity&lt;/span&gt;&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;br /&gt;&lt;span style=";font-family:georgia;font-size:130%;"  &gt;The System of Dr. Tarr and Prof. Fether&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style=";font-family:georgia;font-size:130%;"  &gt;Edgar Allan Poe&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: left;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_h5KabCvOxHI/RwoESsBKEGI/AAAAAAAAA9I/UmeX4GzGTLE/s1600-h/alquitran.jpg"&gt;&lt;img style="cursor: pointer;" src="http://1.bp.blogspot.com/_h5KabCvOxHI/RwoESsBKEGI/AAAAAAAAA9I/UmeX4GzGTLE/s320/alquitran.jpg" alt="" id="BLOGGER_PHOTO_ID_5118908645560160354" border="0" /&gt;&lt;/a&gt;&lt;/div&gt; &lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;Illustrated by &lt;span style="font-size:130%;"&gt;Pablo Páez&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;In the centre of France, surrounded by a dark wood, stands a famous but decrepit mental hospital. Monsieur Maillard, the director, claims to use an innovative method of treatment that produces excellent results with the patients. However, something mysterious and absurd, hangs over everything that happens there; little by little an unexpected picture of reality appears that reveals the precise execution of a sinister plan&lt;/span&gt;&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt; &lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;br /&gt;&lt;span style=";font-family:georgia;font-size:130%;"  &gt;The Isle of Voices&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style=";font-family:georgia;font-size:130%;"  &gt;Robert Louis Stevenson&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: left;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_h5KabCvOxHI/RwoHLMBKEHI/AAAAAAAAA9Q/gX6eEdBxWUo/s1600-h/Stevensonportada.jpg"&gt;&lt;img style="cursor: pointer;" src="http://3.bp.blogspot.com/_h5KabCvOxHI/RwoHLMBKEHI/AAAAAAAAA9Q/gX6eEdBxWUo/s320/Stevensonportada.jpg" alt="" id="BLOGGER_PHOTO_ID_5118911815246024818" border="0" /&gt;&lt;/a&gt;&lt;/div&gt; &lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Illustrated by &lt;span style="font-size:130%;"&gt;Alfredo Benavídez Bedoya&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;Young Keola and wise Kalamake set out from a remote village in Hawaii on a fabulous odyssey in search of hidden treasures in the Isle of Voices, a mysterious land inhabited by cannibals, which can only be reached using the secret rituals of witchcraft. A series of memorable adventures sees our two heroes having to confront sinister dangers from which nobody will leave unharmed&lt;/span&gt;&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt; &lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;br /&gt;&lt;span style=";font-family:georgia;font-size:130%;"  &gt;The Town-Ho Story&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style=";font-family:georgia;font-size:130%;"  &gt;Herman Melville&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: left;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_h5KabCvOxHI/RwoILcBKEII/AAAAAAAAA9Y/OEZhyx423lg/s1600-h/melville.jpg"&gt;&lt;img style="cursor: pointer;" src="http://4.bp.blogspot.com/_h5KabCvOxHI/RwoILcBKEII/AAAAAAAAA9Y/OEZhyx423lg/s320/melville.jpg" alt="" id="BLOGGER_PHOTO_ID_5118912919052619906" border="0" /&gt;&lt;/a&gt;&lt;/div&gt; &lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Illustrated by &lt;span style="font-size:130%;"&gt;Luis Scafati&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span&gt;Town-Ho, a whaler from Nantucket, crosses the Pacific ocean with the crew alarmed by a mysterious engine failure that threatens to sink the ship. Things go from bad to worse when the first officer and a brave subaltern confront each other over a question of honor. A desperate mutiny seems to offer the only hope of resisting the blind fury of the captain, who is unaware of the proximity of Moby Dick.&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5442537291325423423-1377745341141357371?l=librosdelzorrorojo-eng.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://librosdelzorrorojo-eng.blogspot.com/feeds/1377745341141357371/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5442537291325423423&amp;postID=1377745341141357371' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5442537291325423423/posts/default/1377745341141357371'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5442537291325423423/posts/default/1377745341141357371'/><link rel='alternate' type='text/html' href='http://librosdelzorrorojo-eng.blogspot.com/2007/10/foreign-rights-young-adults.html' title='Foreign Rights | Young &amp; Adults'/><author><name>ZR</name><uri>http://www.blogger.com/profile/03667922786702511573</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='22' src='http://bp0.blogger.com/_h5KabCvOxHI/Rulcf3hyYyI/AAAAAAAAARQ/a7MfSoVmPDI/s400/ZR.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_h5KabCvOxHI/RwV0z8BKDiI/AAAAAAAAA4c/3gQPedCgw2g/s72-c/Blog+T-Dracula.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5442537291325423423.post-1533038866750487587</id><published>2007-08-27T09:47:00.000-07:00</published><updated>2007-10-27T13:57:01.947-07:00</updated><title type='text'>Foreign Rights | Children’s books</title><content type='html'>&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;The Bear’s discourse&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Julio Cortázar&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_h5KabCvOxHI/RwFVEMBKDHI/AAAAAAAAA08/N0zunqSaFHo/s1600-h/Blog+T-Discurso+del+oso.gif"&gt;&lt;img style="cursor: pointer;" src="http://2.bp.blogspot.com/_h5KabCvOxHI/RwFVEMBKDHI/AAAAAAAAA08/N0zunqSaFHo/s320/Blog+T-Discurso+del+oso.gif" alt="" id="BLOGGER_PHOTO_ID_5116464182103510130" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Illustrated by &lt;span style="font-size:130%;"&gt;Emilio Urberuaga&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div  style="line-height: 1.2em;font-size:125%;"&gt;&lt;span style="font-size:100%;"&gt;«And in long summertime I swim at night in the starpecked cistern, I wash my face first with one paw then with the other then with both together, and this causes me a great happiness.»&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;This is the story of a bear that lives in the plumbing of a building and who discovers the strange and lonely lives of human beings. This amazing story is a fine example of the literature of the great Julio Cortázar. The illustrations by Emilio Urberuaga light up the wanderings of &lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;the main character&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;Age 4 and up; 200 x 280 mm; 24 pp. Hardback&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;Emilio Urberuaga:&lt;/span&gt;&lt;span style="font-size:130%;"&gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Madrid&lt;/span&gt;, 1954. He is the illustrator behind one of the most famous characters in Spanish children’s narrative: Manolito Gafotas, which has been translated into more than eighteen languages. His other work has been successfully published in Latin America, Korea, Spain, the USA, Finland, France, Holland, England, Italy and Japan. As a writer and illustrator he has published, among other works, Hilda, das riesenschaf (Bohem Press, 1994); La selva de Sara (Edelvives, 2003); Marina (Anaya, 2004) and Kroko und der mond (Bohem Press, 2006).&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;Santiago&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Federico García Lorca&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_h5KabCvOxHI/RwFAT8BKC9I/AAAAAAAAAzs/oPuCQFRanqQ/s1600-h/Blog+T-Santiago.gif"&gt;&lt;img style="cursor: pointer;" src="http://1.bp.blogspot.com/_h5KabCvOxHI/RwFAT8BKC9I/AAAAAAAAAzs/oPuCQFRanqQ/s400/Blog+T-Santiago.gif" alt="" id="BLOGGER_PHOTO_ID_5116441362942266322" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Illustrated by &lt;span style="font-size:130%;"&gt;Javier Zabala&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;Written in 1918 in Granada, Santiago is a fantasy work about the visitation of the Apostle to an old peasant. It is a magnificent tale, full of delicate descriptions that combine story-telling with folk tradition, written by one of the most admired poets of the 20th century. An unforgettable work that invites reading and re-reading, and which is enriched by delicate illustrations by prestigious illustrator Javier Zabala&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;Age 5 and up; 280 x 210 mm; 24pp. Hardback&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_h5KabCvOxHI/Rx9rW8BKEXI/AAAAAAAAA_o/Tu4Vzd1znhs/s1600-h/Blog+Lorca3.gif"&gt;&lt;img style="cursor: pointer;" src="http://3.bp.blogspot.com/_h5KabCvOxHI/Rx9rW8BKEXI/AAAAAAAAA_o/Tu4Vzd1znhs/s400/Blog+Lorca3.gif" alt="" id="BLOGGER_PHOTO_ID_5124932942783189362" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_h5KabCvOxHI/RwFA3cBKDAI/AAAAAAAAA0E/OSiV2uFX0sk/s1600-h/Blog+Lorca1.gif"&gt;&lt;img style="cursor: pointer;" src="http://3.bp.blogspot.com/_h5KabCvOxHI/RwFA3cBKDAI/AAAAAAAAA0E/OSiV2uFX0sk/s400/Blog+Lorca1.gif" alt="" id="BLOGGER_PHOTO_ID_5116441972827622402" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;Javier Zabala:&lt;/span&gt;&lt;span style="font-size:130%;"&gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;León,&lt;/span&gt; Spain, 1962. One of the most talented graphic artists in Spain. He has illustrated numerous books, including Barcelona (Padua, 2003); Madrid para niños (Padua 2002, and Madrid, 2004); El bosque de los sueños (Madrid 2004); Don Quijote de la Mancha (Madrid, 2004), which won Special Mention for Best Work of Fiction in the Bologna Book Fair prizes 2005, and El soldadito Salomón (Madrid, 2004), winner of the National Illustration Prize 2005 awarded by the Spanish Ministry of Culture&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;Tuk is Tuk&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Claudia Legnazzi&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_h5KabCvOxHI/RwT5gMBKDaI/AAAAAAAAA3c/qRCOQjk8y6M/s1600-h/tukweb.jpg"&gt;&lt;img style="cursor: pointer;" src="http://1.bp.blogspot.com/_h5KabCvOxHI/RwT5gMBKDaI/AAAAAAAAA3c/qRCOQjk8y6M/s320/tukweb.jpg" alt="" id="BLOGGER_PHOTO_ID_5117489407976934818" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;br /&gt;With witty, ingenious narrative and charming illustrations, Claudia Legnazzi tells the enchanting story of Tuk and Tak and their family of Tuklets, as well as a colourful collection of other fauna, reminding us that no two people are ever the same, and that when very different groups of people live alongside one another, it can be fantastic&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;Age 4 and up; 200 x 280 mm; 24 pp. Hardback&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;C&lt;/span&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;laudia Legnazzi:&lt;/span&gt;&lt;span style="font-size:130%;"&gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Buenos Aires&lt;/span&gt;, 1956. Lived in Mexico for eleven years, where she won the National Illustration Prize. In Spain she has won the First International Children’s Illustrated Book Competition awarded by Alicante City Council and in 2002 the Grand Jury Prize in UNESCO Asia’s NOMA Concours for Picture Book Illustration&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;Adelaida&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Marta Vicente&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_h5KabCvOxHI/RwT2wMBKDXI/AAAAAAAAA3E/I3Yh7dHLxLA/s1600-h/adecover.jpg"&gt;&lt;img style="cursor: pointer;" src="http://1.bp.blogspot.com/_h5KabCvOxHI/RwT2wMBKDXI/AAAAAAAAA3E/I3Yh7dHLxLA/s320/adecover.jpg" alt="" id="BLOGGER_PHOTO_ID_5117486384319958386" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;br /&gt;Adelaida is assistant to Rampur, a magician who is frightened that she will reveal his secret tricks. The ingenuity of her friends –a lively pack of stray dogs– saves Adelaida from the wicked magician. From then on Adelaida shares her adventures with her friends, discovering the value of friendship and a beautiful romance&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;Age 4 and up; 200 x 280 mm; 24 pp. Hardback&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;M&lt;/span&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;arta Vicente:&lt;/span&gt;&lt;span style="font-size:130%;"&gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Mendoza&lt;/span&gt;, Argentina. Marta Vincente is a painter and engraver who has exhibited her work in Argentina, Chile, Paraguay and Germany. In 2003, her work La Cajita won the A la Orilla del Viento Prize awarded by the Fondo de Cultura Económica de México&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;El Cheruvichá&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Mempo Giardinelli&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_h5KabCvOxHI/RwUDZcBKDfI/AAAAAAAAA4E/k-xwZaLNcdw/s1600-h/T-Cheruvichaweb.jpg"&gt;&lt;img style="cursor: pointer;" src="http://3.bp.blogspot.com/_h5KabCvOxHI/RwUDZcBKDfI/AAAAAAAAA4E/k-xwZaLNcdw/s320/T-Cheruvichaweb.jpg" alt="" id="BLOGGER_PHOTO_ID_5117500287129095666" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Illustrated by &lt;span style="font-size:130%;"&gt;Alejandro Agdamus&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;T&lt;span style="line-height: 1.4em;font-size:100%;" &gt;he Cheruvichá is a bird with a large breast, a sharp beak, powerful wings and is awe-inspiring whenangry. It is red in colour and brave and rebellious in character, and ever since it was young it has flown all round the world fighting for justice and freedom. The challenge is greater than its capabilities. The Cheruvichá is a story without a happy ending but still &lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;full of hope&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;Age 4 and up; 200 x 280 mm; 24 pp. Hardback&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;M&lt;/span&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;empo Giardinelli:&lt;/span&gt;&lt;span style="font-size:130%;"&gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Resistencia&lt;/span&gt;, Argentina, 1947. A writer whose work has been translated into twelve languages. He won the Mexican National Fiction Prize (1983) and the 8th International Rómulo Gallegos Prize (1993). He founded and ran the magazine Puro Cuento from 1986 to 1992.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;Alejandro Agdamus:&lt;/span&gt;&lt;span style="font-size:130%;"&gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Resistencia&lt;/span&gt;, Argentina, 1947. A writer whose work has been translated into twelve languages. He won the Mexican National Fiction Prize (1983) and the 8th International Rómulo Gallegos Prize (1993). He founded and ran the magazine Puro Cuento from 1986 to 1992.&lt;/span&gt;&lt;br /&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;And you,&lt;br /&gt;what do you want to be?&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Imapla&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_h5KabCvOxHI/RwFVScBKDII/AAAAAAAAA1E/5AVHyHBJKHs/s1600-h/B-T-Tu+que+quieres+ser.gif"&gt;&lt;img style="cursor: pointer;" src="http://3.bp.blogspot.com/_h5KabCvOxHI/RwFVScBKDII/AAAAAAAAA1E/5AVHyHBJKHs/s320/B-T-Tu+que+quieres+ser.gif" alt="" id="BLOGGER_PHOTO_ID_5116464426916646018" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;br /&gt;A book full of colours and surprises. Each page has a mask, which allow girls and boys to live their own adventures: one can become a witch, a pirate, a giant, a fireman or an explorer... Simply by letting their imagination go, children can be whatever they want to be&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;Age 3 and up; 190 x 230 mm; 16 pp. Boardbook&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;Imapla (Imma Plá):&lt;/span&gt;&lt;span style="font-size:130%;"&gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Barcelona&lt;/span&gt;, Spain 1964. His work has received numerous awards, including the Apel·les Mestres Prize (1992), the UNICEF International Illustrator of the Year Prize (1992), the Graphic Prize Special Mention at the Bologna Children’s Book Fair (1992), the National Illustration Prize awarded by the Ministry of Culture for Best Illustrated Children’s Book (1994) and the Santa María Foundation International Illustration Prize awarded by the publisher SM for the book Los pájaros aprenden idiomas (2007).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;And you,&lt;br /&gt;How are you?&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Imapla&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_h5KabCvOxHI/RwYGqsBKDkI/AAAAAAAAA44/026T6GAjm5Q/s1600-h/coverwebcomoestas.jpg"&gt;&lt;img style="cursor: pointer;" src="http://1.bp.blogspot.com/_h5KabCvOxHI/RwYGqsBKDkI/AAAAAAAAA44/026T6GAjm5Q/s320/coverwebcomoestas.jpg" alt="" id="BLOGGER_PHOTO_ID_5117785356993433154" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;br /&gt;Marta's happiness, Isaac's worries and Rocío's sadness fill the pages of this entertaining book, which talks about feelings and emotions in a simple, direct way. A mirror on the last page reflects the surprise of young readers, as well as making them the true protagonists of the book. Because in effect the important thing is the question: And how are you?&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;Age 3 and up; 190 x 230 mm; 16 pp. Boardbook&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt; &lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;Imapla (Imma Plá):&lt;/span&gt;&lt;span style="font-size:130%;"&gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Barcelona&lt;/span&gt;, Spain 1964. His work has received numerous awards, including the Apel·les Mestres Prize (1992), the UNICEF International Illustrator of the Year Prize (1992), the Graphic Prize Special Mention at the Bologna Children’s Book Fair (1992), the National Illustration Prize awarded by the Ministry of Culture for Best Illustrated Children’s Book (1994) and the Santa María Foundation International Illustration Prize awarded by the publisher SM for the book Los pájaros aprenden idiomas (2007).&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;/span&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;The Opp&lt;span style="color: rgb(0, 0, 0);"&gt;bull&lt;/span&gt;sites&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Sebastián García Schnetzer&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_h5KabCvOxHI/RwYMlsBKDoI/AAAAAAAAA5Y/ZrjkLva-oHg/s1600-h/op2web.jpg"&gt;&lt;img style="cursor: pointer;" src="http://1.bp.blogspot.com/_h5KabCvOxHI/RwYMlsBKDoI/AAAAAAAAA5Y/ZrjkLva-oHg/s320/op2web.jpg" alt="" id="BLOGGER_PHOTO_ID_5117791868163853954" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;br /&gt;The Oppbullsites are, as their name suggests, bulls that say the opposite. If one is up the other is down. If one is on the right the other is on the left. If one is white the other is always black. But things start to get complicated when some bulls appear wearing scarves, solitary bulls and groups of bulls, fighting bulls and pacifists. The humor and imagination of these stories about this much maligned animal will amuse both children and adults. But, above all, this book is essential for those who really love bulls.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;Age 4 and up; 155 x 190 mm; 48 pp. Hardback&lt;/span&gt;&lt;br /&gt;&lt;img src="file:///Users/sebastiangschnetzer/Desktop/materiales/materiales/libros/Opuestoros%202/oppagweb2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_h5KabCvOxHI/RwYNMMBKDpI/AAAAAAAAA5g/tl_r1CABTvo/s1600-h/oppagweb.jpg"&gt;&lt;img style="cursor: pointer;" src="http://3.bp.blogspot.com/_h5KabCvOxHI/RwYNMMBKDpI/AAAAAAAAA5g/tl_r1CABTvo/s320/oppagweb.jpg" alt="" id="BLOGGER_PHOTO_ID_5117792529588817554" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;The most famous mouse&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Istvansch &lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_h5KabCvOxHI/RwYQcMBKDqI/AAAAAAAAA5o/TdGzoONxso4/s1600-h/ratonportada.jpg"&gt;&lt;img style="cursor: pointer; width: 251px; height: 252px;" src="http://3.bp.blogspot.com/_h5KabCvOxHI/RwYQcMBKDqI/AAAAAAAAA5o/TdGzoONxso4/s320/ratonportada.jpg" alt="" id="BLOGGER_PHOTO_ID_5117796103001607842" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;br /&gt;Smith, the most famous of mice, collects teeth, but this isn't his only hobby. Here he is revealed to be a real fan of literature. An illustrated book about letters and the secrets hidden in books, it will delight –and surely entrance– readers from 6 to 99 years old.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;/span&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;Age 6 and up; 150 x 150 mm; 24 pp. Hardback&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;Istvansch (Istvan Schritter):&lt;/span&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="font-size:130%;"&gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Madrid, &lt;/span&gt;&lt;span&gt;1968. Illustrator, designer and writer of various books for children published in Spain, Mexico, France, Switzerland and Argentina. His work has been recognised on several occasions, including 2002, when he represented Argentina as illustrator for the international Hans Christian Andersen prize.&lt;/span&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;The exceptional Tourist&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Ramón Gómez de la Serna&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_h5KabCvOxHI/RwYaQMBKDrI/AAAAAAAAA5w/P4zW_3Hjj88/s1600-h/coverweb.jpg"&gt;&lt;img style="cursor: pointer;" src="http://3.bp.blogspot.com/_h5KabCvOxHI/RwYaQMBKDrI/AAAAAAAAA5w/P4zW_3Hjj88/s320/coverweb.jpg" alt="" id="BLOGGER_PHOTO_ID_5117806891959455410" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Illustrated by &lt;span style="font-size:130%;"&gt;Hermenegildo Sábat&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;An unforgettable journey around the world in the company of a fantastic traveller to discover the most famous monuments in the most unusual circumstances. An enchanting tale full of humour and imagination by the amazing Ramón Gómez de la Serna, a pioneer of the short story and one of the most influential writers in Spanish literature.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div   style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;font-family:arial;font-size:11px;"&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;Age 12 and up; 155 x 190 mm; 24 pp. Hardback&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;Hermenegildo Sábat:&lt;/span&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="font-size:130%;"&gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Montevideo, &lt;/span&gt;&lt;span&gt;1933. Hermenegildo Sábat has contributed to numerous publications including Clarín (Argentina); The New York Times, The New Yorker and Fortune (United States); and L'Express and Liberation (France). In 2005 he won the prestigious journalism prize awarded by the Fundación Nuevo Periodismo, presided by Gabriel García Márquez.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div  style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 20px;font-size:150%;"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;Advices for good little girls&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Mark Twain&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_h5KabCvOxHI/RwYcM8BKDsI/AAAAAAAAA54/YRsdUgx2xl0/s1600-h/coverninasweb.jpg"&gt;&lt;img style="cursor: pointer;" src="http://2.bp.blogspot.com/_h5KabCvOxHI/RwYcM8BKDsI/AAAAAAAAA54/YRsdUgx2xl0/s320/coverninasweb.jpg" alt="" id="BLOGGER_PHOTO_ID_5117809035148136130" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Illustrated by &lt;span style="font-size:130%;"&gt;Montserrat Ginesta&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;How should really good little girls behave? How should they interact with their friends, brothers and sisters and adults? Mark Twain, one of the comic masters of all time, explains everything in this essential guide to modern manners, whose wit and irony will bring a smile to the lips of its fortunate readers.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px; font-family: arial; font-size: 11px;"&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;Age 8 and up; 155 x 190 mm; 24 pp. Hardback&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;Montserrat Ginesta:&lt;/span&gt;&lt;/span&gt;&lt;span style="line-height: 1.4em;font-size:100%;" &gt;&lt;span style="font-style: italic;"&gt;Seva, &lt;/span&gt;&lt;span&gt;Barcelona, 1952. Montserrat Ginesta has written numerous children's books and has won important prizes, including the Illustration Prize of the Generalitat de Catalunya (1982); the Lazarillo Illustration Prize (1987); and the National Illustration Prize for Children's And Youth Books awarded by the Spanish Ministry of Culture (1988/1994).&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div face="arial" size="11px" style="border-top: 1px dotted rgb(184, 196, 192); padding-top: 10px; padding-bottom: 10px;"&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5442537291325423423-1533038866750487587?l=librosdelzorrorojo-eng.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5442537291325423423/posts/default/1533038866750487587'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5442537291325423423/posts/default/1533038866750487587'/><link rel='alternate' type='text/html' href='http://librosdelzorrorojo-eng.blogspot.com/2007/09/bears-discourse.html' title='Foreign Rights | Children’s books'/><author><name>ZR</name><uri>http://www.blogger.com/profile/03667922786702511573</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='22' src='http://bp0.blogger.com/_h5KabCvOxHI/Rulcf3hyYyI/AAAAAAAAARQ/a7MfSoVmPDI/s400/ZR.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_h5KabCvOxHI/RwFVEMBKDHI/AAAAAAAAA08/N0zunqSaFHo/s72-c/Blog+T-Discurso+del+oso.gif' height='72' width='72'/></entry></feed>
